Jonathan Winters, who guest-starred in "The Frickert Fracas" from The New Scooby-Doo Movies, would eventually end up taking over Don Messick's (the original voice of Scooby) role of Papa Smurf in 2011. Jonathan previously voiced Grandpa Smurf in the 1980's alongside Messick, and wanted to carry on Don's legacy by taking over his role in The Smurfs and The Smurfs 2 live action films. Tragically, Jonathan Winters died only nine days after he finished recording the voice of Papa Smurf for the second film.
Beginning July 14, Scooby-Doo will be appearing on "US Forever" postal stamps in the United States. These new stamps will be released in collaboration with the Scooby-Doo! Doo Good social initiative program, which you can read more about here. The stamp features Scooby-Doo helping to water a plant, which symbolizes the environment-friendly nature of the Doo Good initiative. The artwork on the stamp was designed by Greg Breeding, the art director at the US Postal Service. In addition, a special release ceremony will be held for the stamp at the Mall of America in Bloomington, Minnesota on July 14. After the ceremony, 12-stamp sheets of the Scooby stamps will be available for purchase at the U.S. Postal Service.
Image and info creds: Linns Stamps
So it's been a while since I've mentioned or talked about this on here, but seeing as I just posted another chapter, I figured now was as good of time as any.
A little bit of background for those who don't know, I'm currently in the process of writing a fanfic about Daphne's television show from the film Scooby-Doo on Zombie Island. It's set after the events of Zombie Island, but in an "alternate universe" of sorts, where the gang is still separated and Daphne is still working on her show with Fred, Velma is still at the mystery book shop, and Shaggy and Scooby are still bouncing from job to job. The fanfic is from Daphne's point-of-view (hence the name), but the gang do make appearances regularly through the story. Daphne continues to film the "Haunted America" segment of her show, where she goes out in search of real ghosts and monsters. Occasionally, she receives help from her crew member friends at the television station, Nick and Isabel.
I'm super busy so I unfortunately don't get a lot of time to write, so this has been a working progress since June 2014! I've now just posted chapter 13, however, since I last posted about this on here a few years ago, I've begun posting the fanfic exclusively on Fanfiction.net.
This latest chapter follows on from chapter 11 and 12, and is a reimagining of "The Exterminator" from The New Scooby-Doo Movies. In the chapter, Daphne and her new friend Isabel (who I mentioned above works at the television station), visit the home of horror filmmaker Lorde Sumley (a parody of Lorne Chumley), but they quickly find out that the creatures in Lorde's paintings are all too real.
I always love throwing a few references to other Scooby episodes and films in these chapters as well, so if you read closely, you may find some nods to Scooby-Doo and the Reluctant Werewolf and the recent film Daphne & Velma!
If you haven't read the fanfic, I would strongly recommend you begin on chapter 1, as the chapters build off of each other and it likely won't make sense if you read chapter 13 without reading the others.
Just a brief note as well, this story is rated T, though there's nothing innapropriate beyond some minor mature language.
You can check out the full fanfic on Fanfiction.net. And hey, if you enjoy it, feel free to drop me a review on Fanfiction.net or in the comments here. I always love hearing what I'm doing well with and what I could improve upon for future chapters, so constructive feedback and comments are always nice! :)
All the ingredients that Shaggy, Scooby and Scooby-Dum put into the Funky Fritter recipe in "The Gruesome Game of the Gator Ghoul" (from The Scooby-Doo Show) are H and B brand. This is a direct reference to William Hanna and Joseph Barbera, the creators of Hanna-Barbera Productions.
Today, the very talented Tom Konkle has taken time out of his busy schedule to do an interview with ScoobySnax.com. Konkle wrote several Be Cool, Scooby-Doo! episodes along with Jon Colton Barry, which include "Area 51 Adjacent" from the first season, as well as "Mysteries on the Disorient Express," "Scroogey Doo" and "Doo Not Disturb" from season 2. I personally thought all of these episodes, particularly "Doo Not Disturb" (which is my favorite of the show), were brilliantly written and Tom did a terrific job with all the episodes he wrote.
In addition to being a writer, Tom also was a voice actor for one episode of the series, in "Giant Problems." He voiced both the Leprechaun and the Irish Guy in that episode.
Throughout the interview, I ask Tom about his experience writing for Be Cool, Scooby-Doo! and how he became the talented writer and director he is today.
ScoobySnax.com: How did you get into writing?
Tom Konkle: I always enjoyed writing even as a kid. Sometimes I had such an elaborate imagination, the teacher would admonish me saying “Hey, remember your audience...” and lower the grade. This meaning remember you’re trying to write for fifth graders and it’s going over their head but I think she meant it was going over HER head. LOL
I did a lot of scriptwriting starting in college because I wanted to learn to create the blueprint for some of the short films and sketch comedy I wanted to do then. I enjoyed getting someone else’s script and learning what made their writing work. Seeing successful and unsuccessful writing is the best teacher in that you learn first hand what is done to make the characters work, dialogue, formatting the script and story structure.
I started getting paid to write in the early 90s and I think sometimes I wrote a lot to protect things I knew I’d be performing too. I would write material that I would perform particularly when I was doing sketch comedy much like John Cleese is said to do. I found out later I was doing that like the Pythons. I would write my own material and perform it to protect how it got executed. In that way I had a vision writing it I could execute. Also, like many film directors who also write like Christopher Nolan, I think in a very cinematic style as I am creating a script. I respect the written word and the structure as this is the blueprint for the work. I really applied this provider in my film noir feature Trouble Is My Business.
ScoobySnax.com: Before you began writing Be Cool Scooby-Doo!, were you a fan of Scooby-Doo?
Tom Konkle: I remember watching some of the episodes as a kid. It must’ve been towards the tail end of the original series into whatever ‘70s interaction was running and I enjoyed a lot of them.
ScoobySnax.com: How did you get involved with writing Be Cool, Scooby-Doo!?
Tom Konkle: My dear friend Jon Colton Barry was a fan of both my writing and performing particularly my sketch work, but he knew I also valued story structure and I knew what it was like to do voice acting for cartoons. Animation is dialogue driven with “anything you can draw” visuals so he invited me to start collaborating on season one and season two of Be Cool Scooby Doo. We really wanted to create a writers room together where we could cross pollinate ideas and make each other laugh and be inspired.
ScoobySnax.com: What is your process for writing an episode of Be Cool Scooby-Doo!?
Tom Konkle: First, I start with a bunch of big ideas for the overall arc of the episode story. We would talk about how the characters needed to act to be consistent, and what character development was needing to happen. There was always “breaking the story," which is basically being able to pitch it clearly enough that you get the go ahead to write a draft of it.
So coming up with the story beats and then secondary “B” stories underneath it and character development was first. I really work with dialogue and basically play all the characters in my head, or out loud if I get giggling and smiling, or liking where it’s going, and getting excited to perform the script out loud to see how it flows, so I can see it in my head. I was always about writing from one big, hopefully intriguing or fun, idea and working backwards from that.
ScoobySnax.com: You've written several episodes of Be Cool, Scooby-Doo!, including "Area 51 Adjacent," "Mysteries on the Disorient Express," "Scroogey Doo" and "Doo Not Disturb." Which one of those was your favorite episode to write, and why?
Tom Konkle: I think it’s a tie between Area 51, Adjacent and Mysteries On The Disorient Express, for very different reasons. I think they’re both interesting high concepts, but I had the most fun coming up with character stuff in Area 51, Adjacent and I think I had the most fun coming up with topping ideas conceptually in Murder on the Disorient Express. I also like the execution of them both.
ScoobySnax.com: From a writing perspective, do you have a favorite character to write for?
Tom Konkle: Definitely, Fred was a favorite because he was often the fool for the absurd. But Daphne had the widest arc of character possibility and had agency in the plots of the episodes. I also loved writing the villains.
ScoobySnax.com: Was it challenging to write for such an iconic show like Scooby-Doo, that's been loved by many generations of fans?
Tom Konkle: It was a challenge to honor it as it need be, while pushing it to be different but...just different enough that we don’t aggravate original fans of the series, by doing something so out of canon that it takes them out of the episode. We wanted to reinvent and respect. That was the real challenge in that we made the show we wanted to see, with a lot of people looking over our shoulders.
ScoobySnax.com: If you could work on any show or movie in the world, what would it be?
Tom Konkle: Current shows? Archer.
Movies? I have a lot of ideas for science fiction, adventure and film noir movies. I just wrote and directed a movie out now that is a 1940s film noir called Trouble Is My Business.
ScoobySnax.com: You were both a writer and a voice actor in Be Cool, Scooby-Doo!. Did you enjoy writing or voice acting more, and why?
Tom Konkle: It’s different parts of the brain. I love writing. I do act out my scripts as I’m writing to get dialogue right, but writing is solitary and not about performance. I love voice acting. I’ve been a voice actor for 25 years. I love executing characters, creating voices and the idea of entertaining an audience with my voice work too.
ScoobySnax.com: What was the most rewarding part of writing for Be Cool, Scooby-Doo!?
Tom Konkle: Laughing in the room with Jon, then seeing the episode come together and enjoying all the parts from animation, music, performance and the director working to get us back to what we loved in the script, and improve upon it as well.
ScoobySnax.com: Now that Be Cool, Scooby-Doo! has ended, what project(s) are you working on now?
Tom Konkle: I just released a feature film I star in and directed called Trouble Is My Business, which is available on Blu-ray, DVD and streaming worldwide. http://www.troubleismy.biz
ScoobySnax.com: Thanks so much again for taking the time to do this!
Tom Konkle: Thank you!
You can follow along with Tom's writing adventures on Twitter. You can also check out Tom's movie production company, Lumen Actus, at http://www.lumenactus.com!
There were two different slightly different versions filmed of a scene from Scooby-Doo 2: Monsters Unleashed. In one version, Scooby spills a milkshake from Burger King onto the chauffeur. In the other version, the milkshake is from Kentucky Fried Chicken (KFC).
Boomerang has added a bunch of new content to the streaming service! This content includes the summer-themed special Scooby-Doo and the Beach Beastie, in addition to three brand new episodes of The Richie Rich / Scooby-Doo Show. These episodes include "Scooby's Desert Dilemma," "Stuntman Scooby, and "Hang in There, Scooby." Additionally, Boomerang has added a new Spanish language option to the streaming service, and the ability to create custom playlists and avatars along with Universal Searches on Apple, Amazon and Roku devices.
In other Scooby news today, DC has once again pushed back Scooby-Doo, Where Are You? #93 and #94. #93 will now be released on June 20 (the same day that #94 was originally supposed to be released), and #94 will be released on August 15. Thanks Scoob16 for the info!
The comments issue has been fixed now, and you should all now be able to comment on posts once again. Thanks to Bernadette and the rest of the Weebly support team for being so helpful in taking care of the issue and making sure it was fixed quickly. If for some reason anyone still has an issue posting comments, please let me know! I've gone ahead and replied to all your comments that came through before the glitch happened as well. The "Daphne & Velma" review will be posted in just a minute, so be sure to check that out (as well as Monday's fun fact) below this post if you haven't already. Thanks everyone for being so incredibly patient!
I just wanted to let you all know that I am aware about the issue where you aren't able to post any comments. Unfortunately, there's nothing I can do about it, as it's apparently an issue on the Weebly domain's end. I have contacted them about it and they responded that it should be fixed within the next few days. I just finished writing my review for "Daphne & Velma," which I'll post once the comments are working again. Stay tuned for that in the next couple of days, and I'll keep giving you all updates if something else comes up. Sorry for the inconvience and thank you all for being so patient!
Briefly put, Daphne & Velma was a very odd and silly movie, but in a way that really worked well. Or as Velma says, "It tastes like gerbil...but in a good way!" I would highly recommend that those who are worried about watching this film give it a fair chance. The biggest worry for most people seemed to be the feminist undertones, but honestly, they were barely noticeable in the film. This was a really fun little movie and I'm so glad I gave it a chance.
Before I get more into the review, I want to strongly recommend that those who have not seen the movie yet do not read this review, because there are spoilers ahead!
The movie begins with Daphne discussing the possibility of aliens on her web show. Her online friend, Velma, is a supportive yet critical fan of Daphne's and challenges her findings, because "there's always a rational explanation." Daphne then tells Velma that her mom (who travels around the world) has been transferred to Ridge Valley High, and Daphne will be going to school with her online bestie.
This scene is the one I had the most criticisms about. I would have liked to have seen Daphne and Velma becoming online friends, or at least interacting with each other a little more, before they immediately jumped to meeting each other in real life. When you think about it, it's pretty extraordinary to have an online friendship so strong that you actually meet each other "IRL" (as Daphne says)! I've actually never met an online friend in person, and very few people online even know my real first name. It would have been nice to have some buildup to this, so the audience could be excited along with Daphne and Velma. Instead, the film rushes this scene and takes away from what could have been a really sweet and friendship-building event.
Anyways, Velma seems a bit apprehensive about Daphne coming to her school, but Daphne doesn't seem to notice. She turns on her "pump up playlist" and goes down to eat her french toast breakfast, on her first day of high school.
Daphne goes to school and sees Velma, but Velma doesn't even acknowledge her. Meanwhile, Daphne meets her senior advisor Carol, and is nearly hit in the face with an energy-ball of some sort. Carol shows Daphne around the school, and explains the "Bloom Bracket" to her. The Bloom Bracket gives all of the student rankings, taking into account academics, extracurricular involvement and even social media posts. As Spencer says, "it's like a GPA on steroids!" Daphne meets Spencer and Mikayla, two intellectually bright students, and Spencer discusses an odd invention he wants to create, which would allow your phone to make a pie.
Carol and Daphne run into Velma, who is still acting strangely and is not speaking to Daphne at all. Daphne goes after Velma to talk to her, telling Carol she is Velma's friend, much to Carol's surprise because she does not believe Velma has any friends. Later that day, Velma runs into Daphne again, when the lights begin flickering and a ghastly noise is heard throughout the hallway. Velma lies to Daphne and says she is "going to the sports match...in the sports classroom" and pretends not to notice the odd occurrence. Daphne and Velma see Spencer walking through a secret passage in the lockers, appearing to be in a zombified trance. Velma tries to leave again and repeats that she needs to get to that "sports classroom." (fantastic joke btw, and a very Velma-ish thing to say haha).
All of a sudden, something runs into the two girls. Daphne sees it is her dad. Back at home, Daphne's dad confesses to her that he has been following her around everywhere all her life, and tries to make everything perfect for her. It is revealed that Nedley actually controls every detail of Daphne's life including making her french toast (even though he had made her eggs previously), throwing a button on the floor so Daphne wouldn't be hit by the energy-ball, being Daphne's "playlist controller" and playing her pump-up playlist, and even going so far as to dress up as a female lunch lady to serve her caviar in the lunch line.
In honesty, I genuinely felt sad for Daphne! It's crazy that her dad controlled her that much and did basically everything for her. However, it was very amusing watching him dance to Daphne's pump-up playlist lol. I really liked the callback to Daphne's parents names (Nedley and Elizabeth) from The New Scooby and Scrappy-Doo Show and A Pup Named Scooby-Doo. They could have easily just made up names, so I thought it was cool they stayed consistent with the rest of the franchise. It was wonderful that they made Daphne's parents an interracial couple. Not that it's a big deal or anything, but IMO, it's good to see increasing representation in the media that there are other types of families besides the nuclear, same-race family that we seem to glorify in the US.
The next morning, Daphne has a bad start to her first day on her own, realizing "the violin serenade every morning must have been my dad" when her alarm clock goes off...well, just like any other alarm clock does. Daphne goes to school in an all-purple outfit, because her dad was apparently also her clothes closet (I'm confused though as to how, like was it a machine that he ran or was he actually picking out clothes for her every day?). Carol helps Daphne pick out a new more color-coordinated outfit when she gets to school, which is purple with aliens on it.
Daphne confronts Velma again, but she wants nothing to do with Daphne. After a cool reference to "The Curse of Crystal Cove" (it was nicely worked in too, it didn't feel forced at all), Velma tries to walk away. She accidentally runs into the school janitor, Three-Mop Maggie and wrecks her mop. The students quickly make a viral video of the incident, which was cheesy other than the "Dat mop life" caption (I think that's what it said, it flashed by within a second and was backwards on Daphne's phone). The janitor then storms away angry, because she's tired of dealing with "dat mop life."
Later, in science, Daphne tries to be partners with Velma, and she refuses until Daphne guilts her into doing so. Daphne notices Spencer acting very strangely, yet somehow no one other than her notices, despite that he is literally eating a paper towel. Velma then intentionally sabotages their experiment and splatters purple goo all over the two girls' clothes.
The girls are taken to the office of the school principal, who just happens to be Velma's aunt. They are asked to sit on "the best couch for conflict resolution" while the principal's "Timothy Bot" (basically like Alexa or Siri) goes haywire and begins calling "My Bad Boy." Daphne and Velma argue it out, and Velma reveals she just pretended to hate Daphne because she knew about what was going on with Spencer, and it's been happening for years. The girls eventually agree to solve the mystery together, after the couch nearly crushes them together. The principal comes back in and sees the girls have become friends again. Daphne tells the couch that "Velma totally sucks" so it will push her closer to Velma for a hug, which was sooo adorable! The Timothy Bot then uploads all of Principal Piper's bikini pictures to Facebook, much to her horror.
The next day, the two girls sneak out of an assembly where Tobias Bloom is presenting his latest invention, much to Daphne's frustration that she won't get pizza. Velma reveals to Daphne that she destroyed her robot child (who she unfortunately programmed to have human emotions - that was so sad lol) so she could create a formula to melt the locker where Spencer went through the secret passage. They melt the locker, but there is no secret passage, and they are caught by Three - no, make that Two Mop Mollie and sent to the principal's office again.
The principal, who apparently has no more disciplinary skills to offer, gives the girls "shame stickers" and asks them to tell her how shamed they feel. They also have cafeteria duty for a day, and run into Griffin Griffiths, the second hottest guy in school, and his dimwitted friends. I absolutely loved the dumb jocks in this film, they were so hilarious! Daphne mocks Griffin's "hot" status in school, but another kid accidentally hears it and believes they are talking about him in a flattering way. Velma's response is priceless here, particularly when he asks if they want to go out with him. "No, you should go away now." Rejected! haha
That brings us to the next scene, which is quite possibly one of my favorite scenes in the entire film. Daphne sees a lunch cart they could hide in and spy on Griffin, because she believes he may be behind Spencer's zombified state. She points for Velma to look, but Velma instead looks at the gym coach, who is about to eat a slice of pizza out of the garbage can. "No, Coach Williams, don't do it!" she yells. But it was no use, and he eats the pizza out of the trash and amusingly looks very pleased with himself for doing so. Even better was when Daphne redirects Velma's attention, and Velma looks again only to say "Oh no, he's doing it AGAIN!" lol.
Velma and Daphne enlist Carol's assistance to get on the lunch cart to spy on Griffin and his friends. Griffin and his friends discuss fatherhood, and Ryder says he wants to be a good dad. In a very amusing twist, Mike then announces that sometimes he wishes Ryder was HIS dad, because that's not awkward at all lol. My amusement with the dumb jocks continued as Mike suddenly becomes very paranoid and says "I'm being crazy again, aren't I?", and then jumps up as if he heard a wild animal when one of the girls accidentally bumps the cart. Griffin then says he has to leave because he forgot his phone in his locker, which has something very important on it. Daphne and Velma believe this is something to do with the mystery, so they follow him.
It's revealed that Griffin actually secretly likes to watch cat videos alone in the hallway. The girls see him watching one called "Cat Me If You Can" (It's actually listed in the end credits!), until suddenly, Griffin goes into a trance and goes through the secret passage like Spencer previously had. The girls are caught again by Principal Piper, who punishes them with the "Shame Drones." Sadly, the Shame Drones did not live up to their name and were pretty lame. The girls realize that whoever is on the top of the Bloom Bracket is being targeted, so Velma decides to put herself on top of the Bloom Bracket by sabotaging the other students.
There's a really sweet moment here, where Daphne assures Velma that "things are hard now, but they always get better." This film did a great job in making one of its main messages about optimism. In such a seemingly-scary, insecure world that we live in now, it's so important to remain optimistic and see the good in everything. It's a value I try to follow in life, especially with all the political drama and violence that's been plaguing the United States as of lately, and optimism honestly is what keeps me the happy person that I am and to believe in people, and life. I'm really glad the film touched on this message, as it's very important in this current cultural climate, especially for the children and teens growing up.
Velma makes it to the very top of the Bloom Bracket, only being held back by Mikayla, who we see earlier in the film with Spencer. The girls sabotage her art exhibit by turning the lights off, and inadvertently knocking over one of her pieces of artwork. Daphne sees a cloaked ghost, and accidentally discovers the secret passage which Griffin and Spencer went through. The girls run away from the ghost, in their classic running poses, and there's a fun little reference to Velma losing her glasses. Once in the secret passage, they find Mikayla, who has apparently been captured in the short time that it took to navigate the secret passage. The girls release her from the tube she is trapped in, and devise a plan to trap the ghost. They manage to trip the ghost, who is not actually a ghost, but really Daphne's dad in a bathrobe following her again.
Daphne is astonished her dad is still following her, and feels like he doesn't believe in her. Her dad then realizes that he is following Daphne because he is scared for her, rather than because she isn't smart or capable enough to live her life in the way she wants to. There's a sweet bonding moment, and Velma points out that Tobias Bloom would be the only one who knew how to invent such technology. Daphne's dad points out that there's a sticker which says "Tobias Bloom" on the machine that Mikayla was trapped in. Velma then scolds Daphne's dad and says not to ruin the girls' moment.
Honestly, this is really one of the few "feminist" scenes I can pinpoint in the film, and that's not even really much. The feminist thing was more of an undertone, and wasn't obtrusive at all to the plot. It's a great message to be putting out there to girls and women, young and old alike, that they can do anything they put their mind to and shouldn't ever feel second-best to men. The opposite is also true, though this message is important because it more often occurs with women than men.
The girls come up with a plan to expose Tobias Bloom and save their mother, who they video chatted with and were cut off after her mom encountered Bloom. The girls break into the building and bop the guard over the head with a small rock. It's difficult to hear, but Daphne's dad's commentary in the background is hilarious! (Did you just break into that building? You're grounded young lady...That's assault!) The girls go alone into the building and go into an elevator, where the lights are turned off and the classic "spooky eyes" scene is incorporated. The elevator is programmed to bring out the girls' greatest insecurities about themselves.
This scene had a really cool message too. Like it or not, we live in a society which tries to make us someone we're not and fit in with the latest trends. So many people are insecure about themselves, whether mentally with characteristics about their personalities, or physically with how your body looks. This movie sends a great message about being comfortable with who you are, whoever you are and facing up to your insecurities. This is such an important message which all viewers, young and old can relate to.
The elevator brings out Daphne and Velma's biggest insecurities, and to escape the elevator, they have to admit their flaws and think optimistically about themselves instead. They also had to fight off a pack of wolves...well, at least they would have, if Tobias Bloom would have remembered to put the wolves in the elevator. I found Daphne's huge insecurity about never having a female president interesting. It was a good, non-obtrusive way to work feminism into to the movie, but it also seemed odd that Daphne's "biggest insecurity" in life (which is said right before the president comment) was not having a female president. Though then again, if her dad has sheltered her so much, maybe it actually is her biggest insecurity!
The girls overcome their insecurities and admit to themselves they only human, so they are not perfect. They escape the elevator and run into Tobias Bloom, who reveals he has captured the brightest minds at Ridge Valley High and uses a machine to suck all of the intelligence and ideas out of them, so he can use them to make inventions for his own company. After they set Daphne's mom free and destroy all of Bloom's robotic spiders, they realize Tobias Bloom actually isn't human, but rather, a hologram being controlled by someone else.
The girls run into Carol, who reveals that she is the one controlling Tobias Bloom. She ran the entire company by herself, and had been kidnapping kids for years and placing them in tubes like the one they saw Mikayla in earlier. Daphne and Velma figure out that Carol is not actually a senior, but is actually 26. I found this whole dialogue hilarious, especially "well, you look great for 26!" Being in my mid-20's myself, I find it pretty amusing that kids and teenagers think I'm "old." However, I felt more explanation regarding Carol's plan would have been helpful. It's hard to imagine that Carol could have run the whole company (which is apparently world-famous, given Daphne's mom left a job in Tokyo to work for Tobias Bloom) for years by herself, without anyone knowing what she was doing or that Tobias Bloom was just a hologram. I think they could have made a really cool, intricate explanation to go along with it, but the "reveal" scene seemed very rushed to me and didn't make a lot of sense in hindsight.
I found it interesting that there were no ghosts or monsters in this movie at all. Even though it's uncharacteristic of a Scooby-Doo film, I felt they did a great job with the mystery overall. It does, however, make it a bit challenging in terms of the site's movie guide. I've been debating whether I should put "Tobias Bloom and Carol" as the villains, as the majority of people reading the movie guide are there because they want to read the summary before watching the movie, and I don't want to put a big glaring spoiler in the guide for those who haven't seen it. I think what I'm going to do is put the villain as "Hologram" along with a picture of Tobias Bloom while he's glitching, and thus distorted enough where you can't tell it's him, alleviating the spoiler issue while still accurately documenting who the villain is. I also wouldn't need to list Carol, as technically (at least how I saw it) she was the equivalent of the "unmasked" villain. If anyone has any other suggestions though, I'd be more than happy to hear them!
Anyways, Carol is arrested and the Bloom Bracket is taken down. The jocks are initially frustrated about it, but quickly come to the realization that the Bracket is literally a representation of societal peer pressure and how competitive our culture is. While this is a good message and a great reinforcer of the earlier "be your unique self" message, I still found the jocks' realization of this to be quite amusing, considering how dimwitted they acted throughout the rest of the film. Velma makes up with Three-Mop Maggie by giving her the mop she wrecked, Daphne makes up with her dad, Principal Piper continues dancing with her yogurt cup, and there's a sweet moment with the girls hugging Mikayla at her exhibit.
Overall, I thought this movie was terrific and one of my favorite Scooby films from more recent years. Between the great humor, interesting mystery and fantastic messages about self-confidence and being yourself, this film definitely accomplished what it set out to do and made for a very entertaining, silly movie. My only minor complaints were that the beginning scene, with Daphne and Velma becoming friends, felt a bit rushed, as well as Carol's explanation for her master plan lacking some clarity. Regardless, the movie was still great, and I would love to see a sequel! Given the sort-of cliffhanger ending, I think they could definitely make another movie without being repetitive or unoriginal. I've actually already watched this film twice since it came out!
Though the trailer worried me a bit, the acting was actually very good. I thought Sarah Jeffery's version of Daphne was very relatable, in fact I would say I'm a bit like Jeffery's Daphne in real-life, in the sense that I'm very optimistic and always have a lot of hope even when life isn't going great. Sarah Gilman's Velma stayed very true to the character, even down to her witty lines and dry humor from Scooby-Doo! Mystery Incorporated. As I mentioned, I liked the dumb jocks a lot as well as Principal Piper. I also thought Vanessa Marano did a great job as Carol, and her friendly-yet-sarcastic personality really threw me off the trail that she was the culprit. I really liked Brian Stepanek as Daphne's father as well. He did a wonderful job playing a protective character that was a bit goofy. Spencer's actor also did a good job, for the little bit of the movie he was in where he wasn't "zombified." Besides Jeffery and Gilman, I would say my favorite actor in the film was Courtney Dietz, who played Mikayla. She seemed really into her role, and gave Mikayla a great personality whereas some of the other characters (i.e. Three-Mop Maggie, Griffin Griffiths, etc.) could be a bit dry and the acting felt forced at times.
I absolutely loved this film, and I really hope they make a sequel someday! I'm really interested to hear what you all thought of the movie, so if you've seen it, let me know what you thought in the comments!
Almost all of the footage from the Harlem Globetrotters' basketball game in "The Ghostly Creep from the Deep" was completely recycled from "Shook-Up Sheriff," an episode of the Harlem Globetrotters animated series which had aired 2 years previously.